Travel and Tourism Articles in the Philippines

Great Journeys, Greater Destinations! Take your first stop here! This Philippine travel and tourism site will guide you in your smooth-sailing adventure to your dream vacation spot. With the multitude of tourist destinations within your reach, there is surely a place that will suit your interest and budget. So pack your bags now. Travel... Marvel!

Vigattin Insurance

The Feast of Miraculous Black Nazarene

The Black Nazarene, known to devotees in Spanish as Nuestro Padre Jesús Nazareno is a life-sized, dark wooden sculpture of Jesus Christ carrying the cross, believed to be miraculous by many Filipino Catholics. Originally with fair complexion, it turned dark after it survived a burning ship on its arrival from Mexico.

by Jhaypee Guia on January 09, 2015
The Feast of Miraculous Black Nazarene

Procession of the Black Nazarene at Plaza Miranda during the 2010 feast.

The Black Nazarene, known to devotees in Spanish as Nuestro Padre Jesús Nazareno is a life-sized, dark wooden sculpture of Jesus Christ carrying the cross, believed to be miraculous by many Filipino Catholics. Originally with fair complexion, it turned dark after it survived a burning ship on its arrival from Mexico. The image is currently in the Minor Basilica of the Black Nazarene in Quiapo district, Manila, Philippines, where it is venerated weekly with Friday Novena Masses. There are also three annual processions associated with this icon, most notably on January 9, celebrating its transfer and enshrinement in the present Basilica, and is attended by several million devotees.

Feast of Black Nazarene at Quaipo


The statue's original Mexican sculptor is unknown but the image arrived in Manila via a galleon ship from Acapulco, Mexico. Folk tradition attributes the dark color of the statue to a fire on the ship carrying it, charring the white image to its present dark complexion.

Church records in the Intramuros district note that there were two identical images of Black Nazarene brought to Manila. The first was kept in San Nicolas de Tolentino church in Bagumbayan and later transferred to Intramuros when the old edifice was demolished. This Black Nazarene was bombed and destroyed in the 1945 Battle of Manila.

The other statue was given by the Recollect Priests to the Quiapo Church, and it has been often mistaken by many to be the first destroyed statue during the war.

To protect the image, the Quiapo Basilica commissioned a replica. The head and hands of the original image are now placed on the copy of the body while the old torso holds the new head and hands. Both images are used for processions, alternating every other year except in 2007, when the entire statue was put back as a whole for its 400th anniversary.



The religious veneration of the Black Nazarene is rooted among Filipinos who identify themselves with the Passion of Jesus Christ. Many devotees of the Black Nazarene relate their poverty and daily struggles to the wounds and tribulations experienced by Jesus, as represented by the image. Although the patron saint of the basilica itself is Saint John the Baptist, the Black Nazarene overwhelms it due to mass appeal. Devotees also pay homage by clapping their hands at the end of each mass offered at the shrine.

Every Friday of the year is locally known as Quiapo Day, and is dedicated to the Black Nazarene, with the novena being held not only in the basilica but in other churches nationwide. Similar to Baclaran Day, many public transportation associate this term with an increase of traffic due to visiting devotees.

The Black Nazarene


There are three annual processions when the statue is brought out for public veneration, January 9, Good Friday, and New Year's Day. The procession during the January 9 feast commemorates the Translación, referring to the transfer of the image to its present shrine in Quiapo Church.

The Black Nazarene is carried into the streets for procession in a shoulder-bourne carriage known to devotees as the andas (from the Spanish word Andar meaning "To go forward"). The devotees wear the color maroon and walk barefoot as an act of penance for Jesus on his way to Mount Calvary. Traditionally, only men are permitted to hold the ropes pulling the image's carriage, but in recent years female devotees have also participated in the procession. These rope pullers are traditionally called namámasán. People who have touched the Black Nazarene are reported to have been cured of their diseases, and Catholics come from all over Manila to touch the image in the hopes of a miracle. Towels or handkerchiefs are hurled to the marshals and escorts guarding the Black Nazarene with requests to wipe these on the statue in hopes of the miraculous powers attributed to it "rubbing off" on the cloth articles.

The procession held on the feast day is notorious for the annual casualties that result from the jostling and congestion of the crowds engaged in pulling the carriage. The injuries and even deaths of devotees are brought upon by one or a combination of heat, fatigue, or being trampled upon by other devotees. The image is also brought out on two other occasions, namely New Year's Day and Good Friday, the latter being markedly solemn and silent in contrast to the celebration found during the January 9 procession.


Each year, the procession of the Black Nazarene makes its way along the streets of the Quiapo district, with attendees reaching up to 6 to 8 million. In recent years, the processional route was altered due to a rise in vehicular and stampede accidents, and to afford other neighborhoods a chance to participate in the festivities. Classes are also suspended in all levels. Since 2007 and 2009, the procession now commences at the morning after Holy Mass at the Quirino Grandstand in Rizal Park, where the image was first enshrined, and ends in Quiapo in the late evening.

As is custom, the statue of the Nazarene leaves the Quiapo church (publicly or secretly the night before) and returns to the church on the same day. Many participants either follow the route, or simply wait inside the church to greet the statue. The task of pulling the ropes is traditionally exclusive to male devotees and is now participating also by female devotees too, while all devotees present wear the image's color of maroon. Noli de Castro, a renowned television journalist and former Vice-President is known to be a lifelong devotee and has been seen in the past pulling the ropes.

Rating: 0 people rated this.